Still here after all these years?

a short history of the making of Newcastle Arts Centre

Newcastle Arts Centre was founded by   two  photographers Mike Tilley and Norma Pickard who met and decided on photography as their medium while at Art School in the sixties.
In 1969 we lived and worked in a Studio that had begun in the 1890s at Station Road, Whitley Bay and we soon began running it as an open workshop and Exhibition space.
In 1972 Spectro Arts Workshop received its first grant from the Experiment Panel of the Arts Council of Great Britain and extended its activity as a multi media arts project.

Spectro Arts Workshop became a not for profit company and, after a few creative years, responded to requests that we should move to Newcastle by acquiring the lease of a former office supply warehouse in Bells Court near Pilgrim Street.
Using funding from a Job Creation Programme, Northern Arts and the Arts Council a purpose built Centre was created which included a Visual Arts Gallery, private studios, Electronic Music studio, Performance Space, Screen Print Studio and a complete Photographic Workshop.Many young artists and photographers used the facilities and it became an exciting base for the production of new work. In aditition the centre was the first in Newcastle to present exibitions by
Richard Hamilton (graphics) Helen Chadwick (installation) Max Eastley(Sound Sculpture) and begin a programme of support for resident artists.

Following a dispute with the Trustees Mike and Norma quit Spectro and formed Newcastle Arts Centre Limited in July 1981.
Newcastle Arts Centre Limited purchased a derelict group of listed buildings on Westgate Road in September 81 and work soon began on the difficult task of creating a viable development in a run down area of the inner City. Because of the level of economic and community stress at the time the development was well supported by a number of Government Agencies including The Manpower Services Commission ( Job Creation Programme) Tyne & Wear Conservation Team, English Heritage and the Newcastle & Gateshead Partnership. No commitment was made by Northern Arts or the Arts Council.
The development was planned as mixed use with the intention that the buildings on the high street should be let to provide an income to at least match the mortgage, and that the buildings away from the street would become a combination of public space and private studios. The Arts Centre won a RIBA/Times Community Architecture Award and was formally opened by Prince Charles in 1988.

By this time the Arts Centre had become the largest concentration of professional arts practice in the City by housing Projects UK (the former Spectro Arts Workshop), Folkworks the regions Folk Music Agency and by providing a Gallery and Studios for Art, Craft and Music. In addition the Company had established an Arts materials shop, an outlet for original Craft,a Picture Framing workshop and had Licenses for Theatre, Public Entertainment and a Bar.
The ‘commercial’ development of the Centre was forced by the failure to establish a revenue funding agreement with Northern Arts and the City for the development of an Arts programme.
The independence of the Centre was clearly at the heart of the matter and a crisis was met in 1992 when the directors of Northern Arts attempted to lever a takeover of Newcastle Arts Centre. Soon after this dispute, Projects UK(a funded tenant) was allowed to go into voluntary liquidation.

Without revenue funding for programming Newcastle Arts Centre had no option but to concentrate on its trading revenue and shut down its public arts spaces, the Gallery and the Performance space went dark and Projects UK’s Music Studios and Photographic workshop were closed.

It took seven years  to turn the company round and fund the refurbishment of the public spaces to an extent that we can  take on the role that the Centre was intended for back in 1981.

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